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Cast :
Tommy Lee Jones ... Sheriff Ed Tom Bell
Javier Bardem ... Anton Chigurh
Josh Brolin ... Llewelyn Moss

Comment/Review
There's very little "good" in No Country for Old Men beyond the mesmerizing acting and viciously dark screenplay. Instead, the unholy trinity of temptation, cynicism and pure, dark, evil take center stage in this modern western directed by brothers Joel and Ethan Coen.

Based on the 2003 novel by Cormac McCarthy, the movie unfolds in the dusty Texas borderlands as hunter Llewelyn Moss (Josh Brolin) stumbles upon the remnants of a desert drug deal gone bad, complete with a case containing two million dollars. Succumbing to temptation, Moss makes off with the money setting in motion a chain of events that leaves a trail of blood spattered carnage across the State as he is pursued by the ruthless, coin tossing hit man Anton Chigurh (Javier Bardem) among whose killing weapons of choice is a pneumatic air gun.

Bearing little in common with pretty much any previous Coen film with the possible exception of Blood Simple, No Country for Old Men is a dark, bleak, ode to the baser elements of the human soul, and a spit in the eye to the noble ones as well.

With a structural trademark hinging upon breaking the conventional norms of predictability, No Country is a movie that will unsettle you at successive turns - in the way deaths are dealt out; by its palpable tension that can almost be cut with a knife, and its periodic deviations from the narrative norm – the latter likely the only Coen brothers "quirk" for with their movies are renown.

Switching back and forth between the game of cat and mouse being played out by Moss and Chigurh and the investigation of unfolding events by cynical aging Texas Sheriff Ed Bell (Tommy Lee Jones), the Coens weave a web of dangled threads that one can't help but expect will be neatly tied together at story's end, only to tie them up in ways that buck the storytelling norm and manage to be both unsatisfying and true to their nature at the same time.

Unforgettable among this tableau is Bardem's Chigurh. The Spanish actor who has also appeared in Love in the Time of Cholera and Goya's Ghosts evokes the most amazing presence of a ruthless killer with his own twisted adherence to a bizarre code of ethics that nothing short of witnessing his performance can do it justice.

Sadly, however, justice is one of the few items in abundance in this movie. And yet, as unhappy as I am that the Coen's screenplay defiantly refuses to cater to the audience's inherent desire for satisfaction, I grudgingly have to admire them for opting for the unpredictable.

Consider the movie akin to one big coin toss – will it be heads or tales? Call it - you've been calling it your entire life.

Trailer at YouTube



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Cast :
Ray Winstone .... Beowulf/Golden Man/Dragon
Robin Wright Penn .... Wealthow
Anthony Hopkins .... Hrothgar


Comment/Review
I have never had the experience of seeing a 3-D movie before on the cinema, the only experience I have had with a 3-d film, only courtesy of some 3-d glasses coming free with a DVD, was Spy Kids 3-D, a movie while mildly entertaining isn't exactly the best film every to display the greatness of 3-d. So Beowulf today was my first 3-d experience, I went in expecting something good because of the 3-d, but I didn't expect the movie itself to be superb. Part of my reasoning behind this was because of the one and only experience I had had with Zemeckis and his new way of making movies. That movie was unfortunately the Polar Express, a supposedly happy tail that actually freaked me out more than most horror movies! So what an absolute delight to say that Beowulf not only works because of it being in 3-D (more on that brilliant factor later) but also the movie is a genuinely brilliant movie anyway. The motion capture isn't remotely creepy this time round and actually it seemed to make sense in some bizarre way as to why they did the movie like this. The actors surprised me big time, Ray Winstone delivering actually one of his best performances in a long while, Angelina Jolie playing the slinky seductress to perfection and Anthony Hopkins being a joy to watch on screen. Beowulf is an action packed, well written and entertaining piece of popcorn cinema. Just watch the dragon sequence near the end, every single person in my cinema was on the edges of their seat and looked in awe. The action sequences just amaze, and the dialogue sequences surprisingly really work as well. Unfortunately however if you see this movie in 2-D then you will not be experiencing Beowulf in my eyes, take off the 3-D this is a 9/10 movie, with the 3-D it gets the 10/10 rating with a blink of an eye.

Trailer at YouTube


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